D.C. Sniper John Allen Muhammad is Dead, and I Don’t Feel Any Better

Last night, the state of Virginia executed convicted D.C. sniper John Allen Muhammad. Many commentators had said (as they always do), that this final act was really about “closure” for the victims’ families, and yet, none of those family members admitted to feelings of closure last night, and a few denied it outright. I suspect that the only true instance of closure last night belonged to Muhammed. Yes, I know that he deserved it, but it still made me feel uneasy, and more than a little bit conflicted.

Don’t think that I’m just someone who can’t stomach the death penalty (there are plenty of crimes I think are quite suited for it, especially where children are involved).  I believe that the reason I, like many Americans, feel sympathy for the condemned killers at the time of their execution is more logical. When the crimes are committed, and fresh in our memories, we surge with horror and outrage. We imagine what the last moments of the victims must have been like, and try to empathize with their families. At that moment, our sense of justice cries out for retribution against the perpetrator.

However, the wheels of due process grind very slowly. Gradually, over time, our outrage fades, new crimes replace the old, and we forget the faces of the innocent. At the time of trial, our attention may be regained briefly, but only with a fleeting, passing glance – certainly not with the same intensity as it had been at the time of the crimes. By the time the killer is sentenced to die, our emotional state is approaching something more akin to ambivalence than righteous fury. The process has begun.

The process of emotional dissociation accelerates throughout the ensuing years, as appeals are filed, motions are lost and requests for new trials are denied. Time passes. As the final appeal winds its way toward the Supreme Court, and the date of execution draws closer, the media once again becomes conscious of the story, but the perspective has changed. At this point the stories do not revolve around the horrific nature of the crimes, or the suffering of the victims and their families, but on the condemned’s struggle to survive.

In the final weeks leading up to the execution, we are peppered with professions of innocence, lawyer’s statements that detail the several and serious errors from the original trial and the testimony of credible-sounding people who claim that the convicted person could not possibly have done the thing of which he is accused. We listen, we read, and slowly, imperceptibly, we find our imaginations caught up in the plight of a killer to live just one more month, one more week, one more day.

During the final few days, we become increasingly uncomfortable as it becomes apparent that the condemned is, in fact, doomed to die. We might wonder how one faces the idea that no matter what he does, his life will suddenly end in a now easily quantifiable number of hours. Does he try to stay awake, squeezing out every conscious hour of life that he can? Does he stare at the clock, watching his life inexorably drain away? So much is made of the last meal; how can a man that will be killed in a few hours enjoy anything, much less food? Who could have an appetite at a time like that?

And then, the day arrives. We are busy living lives that have a tomorrow. Still, at moments throughout the day, we may see a clock and quickly do the math: Three hours until he dies. Again we wonder: what is he doing? What is he thinking? Is he keeping his composure? More to the point, could I keep my composure?

The hours pass and we are made aware of a man’s sudden death by a scrolling text at the bottom of a television screen. We consider this for a moment and then return to more immediate concerns, such as whether Daniel will finally get voted off of The Biggest Loser. For us, life goes on, albeit a little more gingerly than before, for a few days anyway, until this death too passes from our conscious memory.

Clearly, it is the buffer of many years’ time that allows our sympathies to be transferred from the victim to the killer. Not that long ago, justice was swift, catching up the convicted while the blood lust of the people was still fully aroused. When the condemned met his fate, there was a sense that balance had been restored; few tears were shed for a person who had done such terrible things, things that had not yet passed from common recall. A primal need for revenge had been satisfied.

I do not long for a return to the days when crime, conviction and consummation all took place within a period of weeks. Justice cannot be accomplished where doubt remains, and my unease is hardly worth mentioning when compared with the need to be absolutely certain of the guilt of the criminal and the guarantee of due process.

I do, however, find myself wondering: Is this what justice is supposed to feel like?

Honestly? I hope not.

In Britain, “The Wire” is Reality and Baltimore is a Scary, Dangerous Place

A truly fascinating adventure in journalism is playing out this week.

British journalist Mark Hughes, in an exchange program with the Baltimore Sun (who sent their crime reporter, Justin Fenton, to London), has been in Baltimore recently, hanging out with our beleaguered police department. While he’s here, he’s been filing reports for his own The Independent, a London daily. Let’s just say that his stories have not been helpful for the Baltimore Tourism Department. The English best know Baltimore from the HBO crime drama “The Wire,” which portrays Charm City as, well, let’s say less than charming. Baltimore officials have long complained that the show promotes a false image of the city for the sake of ratings. Are they right?

Here’s an excerpt from a Hughes story:

“This was Baltimore exactly as I have seen it countless times on The Wire, but on this occasion it was real life. It was a Tuesday night, on the corner of West Fayette and North Carey streets, and it was the evening’s first shooting. There would be four more before the end of the shift. Two of the five, including this one, were fatal.”

Hughes has also reported on the corruption trial of Baltimore Mayor Sheila Dixon, and her contentious relationship with the Baltimore City Police Department. Unfortunately, neither Dixon nor Police Chief Bealefeld would make themselves available to be interviewed for the stories, no doubt because there’s little good to be said about Baltimore’s out of control crime problem. Not that Dixon and Bealefeld are entirely to blame – there have been five Police Commissioners in the last ten years, and Dixon is relatively new to the job. They’re just the latest in a long line of politicians and appointees to be swallowed up by the hopeless morass that is Baltimore City, and they are obviously very touchy about it.

Others are less hesitant to explore Baltimore’s deficiencies. In 1989, Maryland Senate President Mike Miller told a WBAL TV 11 reporter that “Baltimore is a (expletive) ghetto. It’s worse than inner city Washington, D.C.” In 1997, authors David Simon and Edward Burns released “The Corner,” an expose of Baltimore’s drug and poverty-driven neighborhoods. Of course, if you live in the city, this is not art, this is your reality.

Meanwhile, Fenton’s stories note that Britain’s police use of DNA evidence is futuristic compared to Baltimore’s, and that the sound of fireworks reminded him of home. His fourteen hour ride-along to the “underbelly” of Manchester produced contacts with a car full of pot-smoking teenagers, a kid whose bike riding behavior raised false suspicions, a slightly inebriated (but not technically drunk) driver, and a fruitless search for a man with a vegetable knife and a home that was wrongly believed to have been burglarized. Hughes, on the other hand, found himself at the scene of a shooting only minutes after he got into town. Awesome.

The two reporters have also been blogging about their experiences. These blogs reveal a contrast that could best be described in a SAT-type analogy: London is to Baltimore as Paris is to Mogadishu. Tremendous.

What all of this journalism convincingly demonstrates is that we big-city Americans exist in a frightening world largely unknown to the people of other industrialized nations. Because of our equal devotion both to the rights of gun owners and the rights of criminals, we suffer from a preponderance of both. It’s a bad combination.

Of course, were we to give up these rights, we might begin to address the violence inherent in American society, but we all know that’s not going to happen. Americans fear government encroachment and the loss of civil liberties far more than they fear for their lives. Is this rational? Probably not, but it’s part of the American DNA, and there’s no escaping it. As a people, we will consent to be destroyed from within rather than give an inch where personal freedoms are concerned.

So yes, London, I guess “The Wire” is a pretty accurate portrayal of Baltimore after all. There’s no need to pity us – this is the society we have chosen. We complain about it ( a lot), but really, we wouldn’t have it any other way.

And congratulations, Baltimore – this is your life.